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Retrieved 24 August Retrieved 12 July Retrieved 11 September Archived from the original on 6 August Retrieved 16 June Oxford University Press. Square One Publishers. Helsingin Sanomat. Archived from the original on 2 November Retrieved 3 January CBS News. Retrieved 28 January Brasil Online in Portuguese.

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Retrieved 29 January Public Affairs. Yale University Press. Kingston, Jamaica: Jamaica Observer. Retrieved 10 January La gaya scienza in Italian. Humour Helped Me to Beat the Bullies". The Daily Mirror. Retrieved 18 October Retrieved 22 June Archived from the original on 18 August Retrieved 4 April Retrieved 20 June Retrieved 24 December Sydney Star Observer. Retrieved 2 October January Retrieved 29 June Retrieved 2 September North Pomfret, Vt.

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Retrieved 6 February Archived from the original on 18 April Archived from the original on 5 June Retrieved 22 August Retrieved 26 March Stavanger Aftenblad in Norwegian.


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Retrieved 20 March Retrieved 21 September Haworth Press. Villaronga, openly gay himself, Archived from the original on 10 August Male intervention into relationships between women was necessary only when women acted as men and demanded the same social privileges. Lesbianism became almost exclusive to French literature in the 19th century, based on male fantasy and the desire to shock bourgeois moral values. Reflecting French society, as well as employing stock character associations, many of the lesbian characters in 19th-century French literature were prostitutes or courtesans: personifications of vice who died early, violent deaths in moral endings.

Gradually, women began to author their own thoughts and literary works about lesbian relationships. Until the publication of The Well of Loneliness , most major works involving lesbianism were penned by men. Some women, such as Marguerite Yourcenar and Mary Renault , wrote or translated works of fiction that focused on homosexual men, like some of the writings of Carson McCullers.

All three were involved in same-sex relationships, but their primary friendships were with gay men. As the paperback book came into fashion, lesbian themes were relegated to pulp fiction. Many of the pulp novels typically presented very unhappy women, or relationships that ended tragically. Marijane Meaker later wrote that she was told to make the relationship end badly in Spring Fire because the publishers were concerned about the books being confiscated by the U.

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Following the Stonewall riots , lesbian themes in literature became much more diverse and complex, and shifted the focus of lesbianism from erotica for heterosexual men to works written by and for lesbians. Serious writers who used lesbian characters and plots included Rita Mae Brown 's Rubyfruit Jungle , which presents a feminist heroine who chooses to be a lesbian. Further changing values are evident in the writings of Dorothy Allison , who focuses on child sexual abuse and deliberately provocative lesbian sadomasochism themes.

Lesbianism, or the suggestion of it, began early in filmmaking. The same constructs of how lesbians were portrayed—or for what reasons—as what had appeared in literature were placed on women in the films. Women challenging their feminine roles was a device more easily accepted than men challenging masculine ones. Actresses appeared as men in male roles because of plot devices as early as in A Florida Enchantment featuring Edith Storey.

Hollywood films followed the same trend set by audiences who flocked to Harlem to see edgy shows that suggested bisexuality.

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